Ngai Ning Yu’s (b.2003) practice explores the notion of ‘home’, not as a fixed location but as an emotional space of belonging, where  memory can be revisited through shadow. She works from photographs and memories of significant places she has inhabited. The  figures are never directly painted, instead, they are seen through their shadow silhouettes, or obstructed by another layer of space,  existing only as an echo to reflect on her sense of nostalgia and loss towards a certain time and place.