Current Exhibition
Curated by Relish
30 January - 28 February 2026
Tiderip is pleased to present Spring Roots, an exhibition hosted in collaboration with Relish and marking the first exhibition of 2026. Opening across Lunar New Year and Valentine’s Day, the show brings together works by Fan Bangyu, Alba Botines, Miro King, Samah Rafiq, Leah Xuanru Wang, Angela Keiying Yip, and Qian Zhong Zoe.
Spring Roots reflects on beginnings and the quiet yet dynamic forces of growth, stability, and vitality that accompany the turning of a new year. Like roots beneath the soil, these energies often remain unseen, sustaining life through depth rather than spectacle.
Leah Xuanru Wang, Amber II, 2025
Previous Exhibition
26 November 2025 - 17 January 2026
Alexandra Baraitser | Neal Camilleri | Michael Gao | Xinyu Han | Lily Hargreaves | Julius Killerby | Tiyana Mitchell | Rowena Liangru Lu | Edward Raneri | Daniel Roibal | Jordan Rubio | Kirsty Sim | Javier Torras Casas | Ollie White | Jiachen Zeng | Mengmeng Zhang | Tianle Zhao
Tiderip presents Real Artists Sweat, a group exhibition that reimagines value, scale and accessibility within contemporary art. The exhibition invites artists to engage with a fixed threshold of value, a conceptual limit inspired by the economy of labour and the lived conditions of creative work.
Xinyu Han, Slip, 2025
Previous Exhibition
14 October - 15 November 2025
Isaac Andrews | Katja Farin | Harriet Gillett | Conor Quinn | Jordan Rubio
All Eyes on Me brings together five painters defining the new energy in contemporary figuration: Isaac Andrews, Katja Farin, Harriet Gillett, Conor Quinn and Jordan Rubio. Each explores the human face and figure in both direct and metaphorical forms, drawing viewers into encounters that are at once intimate and declarative. Presented during Frieze week, the exhibition positions these artists at the forefront of a generation reclaiming visibility through paint.
Jordan Rubio, This is a non-smoking theater so please no smoking!, 2025
YU Xiao, Da Vinci's Mirror No.105.06/10, 2025
Previous Exhibition
3 September - 4 October 2025
Alexandra Baraitser | YU Xiao
TIDERIP Mandy Zhang Art
She Paints Still is a dual-venue exhibition initiated by two London-based female gallerists, inviting audiences into the ongoing worlds of two female artists. Presented simultaneously at Tiderip and Mandy Zhang Art, the exhibition brings together works by Alexandra Baraitser and YU Xiao from different series and periods, highlighting both their conceptual and medium divergences while staging a dialogue across spaces.
Previous Exhibition
25 July - 23 August 2025
Garance Bray | Tom Halsall
Katie Kaur | Jennifer Nieuwland
Madeleine O'Donnell | Ngai Ning Yu
Curated by Yue Yu and Yiran Zhu
Body serves as a subject through which the world is experienced and an authentic documentation of one’s memories, emotions, personal stories, as well as intergenerational histories. It is not solid or fixed, but rather always in flux, defined as much as by the changes as by the presence. While being accustomed to materiality, the internal space, which is felt not seen, is sometimes overlooked and requires more attention.
Jennifer Nieuwland, Cocoon, 2024
Previous Exhibition
25th July - 23rd Augest 2025
Garance Bray | Tom Halsall | Katie Kaur
Jennifer Nieuwland | Madeleine O’Donnell | Ngai Ning Yu
Curated by Yue Yu and Yiran Zhu
Body serves as a subject through which the world is experienced and an authentic documentation of one’s memories, emotions, personal stories, as well as intergenerational histories. It is not solid or fixed, but rather always in flux, defined as much as by the changes as by the presence. While being accustomed to materiality, the internal space, which is felt not seen, is sometimes overlooked and requires more attention.
Jennifer Nieuwland, Cocoon, 2024
All Exhibitions
Previous Exhibition
9 May - 7 June 2025
Johannes Bosisio | Tiyana Mitchell
Andrei Pokrovskii | Anya Wang
Inspired by Marcel Proust’s In Search of Lost Time, Faded brings together four painters whose practices probe memory, mythology, transformation, and estrangement through contemporary lenses. Each artist draws upon personal, cultural, or historical source material — not to reconstruct the past, but to reprocess, refract, and at times, deliberately misplace it. What surfaces is a quiet, dissonant humour — one that resides not in punchlines, but in distortion, dissociation, and intentional opacity.
Anya Wang, Believing In Eternity Is My Clumsy Heroism, 2024